This Is Not Your Father's Andromeda Strain
Friday May 23, 2008

Eric McCormack as Jack Nash in the miniseries remake of The Andromeda Strain, airing Monday and Tuesday, 5/26 and 5/27, at 9 p.m. ET on A&E.
© A&E Network
Now another famous director, Ridley Scott, has taken on the same material, though the actual directing chores have been left to Mikael Salomon (Fallen, Hard Rain). A cast of highly recognizable names was assembled, including Benjamin Bratt, Rick Schroder (24), Eric McCormack, Daniel Dae Kim (Lost), Andre Braugher, Viola Davis (Disturbia), and Christa Miller (Scrubs). (Further down the cast list are names from other sci-fi series, including Magda Apanowicz (Kyle XY), Colin Lawrence (Battlestar Galactica), and Panou (Flash Gordon).) Some sort of development hell resulted in the project's migration from Sci Fi, which announced it four whole years ago, to A&E.
Perhaps in an effort to avoid the flatness of the 1971 film, great liberties have been taken with Crichton's story in order to provide more drama and excitement. Of course some modernization of the original novel is absolutely necessary – after all, a key plot point in the book hinges on the failure of a teletype machine that's disabled by a bit of punched paper. But the 2008 version adds wormholes, eco-terrorists, and additional mutations for the virus that cause aggressive birds and uncontrollable nuclear missiles. The creators, including Salomon and scriptwriter Robert Schenkkan (who's better known as an actor – he played Remmick on Star Trek: The Next Generation), seem to have missed the point of the book: it's not about the virus running amok or conspiracies and evil plots. The Andromeda Strain is about human fallibility – the mistakes that are made every day by humans and the machines they create.
Video can be found on the official site here; and I have an image gallery here.


Comments
I appreciate your assessment of the book’s intention and the modest failings of the 2008 TV version. I did enjoy it in a pleasant, not really critical way.
I’d like to point out that Robert Schenkkan is much more than a scriptwriter and an actor who played a minor Star Trek role. As a playwright, he won the Pulitzer Prize for his ten-play work, The Kentucky Cycle. My own favorite of his many works is an extraordinarily powerful piece called Handler, in some respects fantasy rather than science fiction, starting as a realistic-ish examination of an American phenomenon (snake handling), then taking off into “magical realism.”